Nighttime and low-light interior black levels are wonderful. It offers improved color stability in presentation, with firmer, bolderĬolors that are never wanting for more punch while adding an impressive level of nuance, whether primary Spider-Man outfit colors or smallīackground supports or even, simply, red lipstick and other small splashes of intense color.
The HDR-enhanced color palette is equally impressive. Masterpiece of visual excellence that accentuates its every quality with clarity to spare and definition and depth that will be the envy of almost any Spider-Man outfit, the UHD delivers a finely-honed Whetherįine skin textures, beads of sweat on Parker's face after entering a fire, beat-up alleyways, run-down apartment complex interiors, clothes, or the Textural nuance and wide-ranging elemental and environmental qualities abound. Grain is ever-present but, compared to the first film on UHD, a bit more stable and complimentary, less "intrusive," for lack Presentation is amongst the finest available on the format. Spider-Man 2 is another shot-on-film "true 4K" release that blows many of it more contemporarily (and often digitally) crafted peers out of the
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